Two Tips to Make Life Easier

I’ve discovered that editing a contracted book is trickier than editing one that’s not yet contracted.

Notice, I didn’t say harder. Just trickier.

Allow me to explain.

Here’s how the writing process typically works:
– The writer engages in some level of brainstorming
– The writer writes the rough draft
– The writer engages in some level of revising

Usually, these happen successively, which results in a very intimate knowledge of the story. The further we move along in the process, the more deeply we know our characters and our plot. Until we reach this point where the manuscript is complete and ready to shop.

So what do we do?

We send it off. We say goodbye. And we start all over again.

Which is why editing a contracted book gets tricky.

I finished Beneath a Velvet Sky in the summer of 2009. It was my third novel. The one that caught the attention of my agent, Rachelle Gardner. Since then, I have finished two more novels and written the rough draft of a third.

Not only has a lot of time passed since I knew Beneath a Velvet Sky intimately, but three other story lines, three other casts of characters, have come and gone in my life.

Have you ever had a friend, who at one point, you knew incredibly well? But then you lost touch and time passed and you made new friends? And then you run into this old buddy at the grocery store or the gas station, only to discover you don’t really know each other anymore?

That’s what editing a contracted novel feels like. Especially for a debut novelist.

That’s one of the reasons I believe the editing process for a contracted novel is so intense.

My editor asked me some deep questions about my hero and heroine. Questions to which I no longer knew the answers. So not only did I need to dedicate a chunk of time toward implementing the requested changes, I had to spend a considerable amount of time reacquainting myself with the story. I had to regain the intimacy that was lost.

So what? What’s my point in all of this?

I have two, actually.

See that picture up top? Save your work. 
Character sheets. Back story information. Outlines. Deleted scenes. Information about the setting. Research on the characters’ jobs. Save all of it. Put it all into a file and do not delete.

If you don’t create these items beforehand, write them after. 
As in, after you finish the novel but before you say goodbye. I know it sounds weird, but consider writing a simple summary of the setting and each main character. Make sure to include important back story information, personality, quirks, fears, and the way the character arcs through the novel.

Seriously. You won’t regret it.

Let’s Talk: What lessons have you learned as you venture forward in this writing journey? Any simple tips you can share that might make all of our lives easier?removetweetmeme

My Revision Process

I have an editing system. A procedure I go through whenever I finish a rough draft. As a teacher, I’m a big fan of procedures. They make me feel cradled, secure. And since I recently typed The End on another novel, I’ll be following the procedure once again. 

Here’s what it looks like, in case you don’t have one and would like to borrow mine:

Katie’s 6-Step Editing System
Step 1: Let it cool. 
I fly through the rough draft as fast as my fingers allow. Which turns my brain into an overheated engine. I need a week or two to de-steam before I start up again.

Step 2: Big Edits (otherwise known as the content or macro edit)
I print off a hard copy and get out a red pen. The hard copy slays the temptation to line edit and the red pen is easy to see. While reading, I take notes on big story things in the margins. Like pacing, redundancies, inconsistencies, plot holes, GMCs, tension, character arcs, scenes I need to add, scenes I need to delete, and the spiritual thread.

Step 3: Deep Edits 
I’m currently taking an online class with Margie Lawson called Deep Editing, which I highly recommend for anyone who wants to take their writing to the next level. During this step, I print out a second hard copy and use Margie’s highlighting system to see how my story balances description, setting, dialogue, internalization, visceral response, action, and tension. I look for alarming patterns and change what needs changing.

Step 4: Line Edits
Call me crazy, but this step is my favorite. Maybe because, by the time I finally get here, I feel like the hard work is behind me. Now I get to play. Now I get to tinker. Whatever the reason, I love line edits. I love searching for just the right phrase. I love nixing the pet words and the unnecessary words. I love exchanging the cliches for something fresh. I love infusing tension on every page. And I love replacing passive verbs with active ones. This is where I cull through every sentence and make sure it counts. 

Step 5: Read Aloud
I usually give myself another break before diving into step five – usually another week or so. After the distance, I come back and read the whole thing out loud from my computer screen. I get a feel for the cadence. The voice. The rhythm. If something sounds awkward or rambling or rushed, I make changes. I also look for grammatical errors. 
Step 6: Critique Partners
I send the manuscript off to my critique partners. In a week or so, I get back more content and line edits. I make changes. Then send it off to my agent and pray my procedure paid off.

It’s quite a process. And it takes a while. Probably as long as it takes me to write the rough draft. But it’s definitely worth it.

There’s a crazy difference between my rough draft and the draft I send to my agent. In fact, I’ve given my husband specific directions, that if ever I should die, he is to promptly delete any rough drafts on my computer. If any eyes other than mine saw one, I’d be horrified.

Let’s Talk: What’s your editing/revising process like? If you’ve worked with a professional editor (whether in-house or freelance), has that changed the way you edit? Do you like editing/revising?

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