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Tips from Television

I’m sort of amazed by the writers of Vampire Diaries.

I know. I know. Some of you are rolling your eyes. You’re not into vampires. You think it’s too much like Twilight (even though, technically, Vampire Diaries came first). It’s just another one of those soap-opera-like CW shows.

But seriously guys. It. is. awesome.

Every week, the episode blows me away. Something crazy happens that I did not see coming. I think to myself, they can’t possibly top this. This should have been the finale. Yet somehow, the writers stick their heads together and outdo themselves yet again.

And the whole time, I’m studying. Trying to figure out their secrets.

Because these writers are experts in rewarding their audience, something Vince Mooney talked about over on Seekerville in a post titled, How Making Your Reading Experience More Rewarding Can Spell Greater Success.

Here are three way this show rewards the audience and three ways we can do the same:

Give them what they want way sooner than they expect.
How many times have you read a book or watched a show and you’re dying to get this one answer, but you know you’re going to have to wait until the end to get it? It happens all the time. Because in the writing world, we talk a lot about prolonging tension. But what if, instead, you just give the reader what they want? What if, sometimes, it’s better not to drag something out? Do you know how satisfying that can be?

Answer the question then hook them with another. 
Some of you may be thinking, “Yeah, but if I give them what they want, then I’m going to diffuse the tension and there will be no reason to keep reading.” That’s very true. If you don’t have another hook waiting in your pocket. This show is the master in tension, release, tension, release, tension, release. Which means the audience is delighted, hooked, delighted, hooked, delighted, hooked. I don’t know about you, but that seems like a much better model than drawing out the tension to the point of frustration, even if the ending is really satisfying. Why not satisfy your audience multiple times? Hook them multiple times?

Embrace the shock-factor
I don’t know how many times I’ve watched this show and thought, No way did that just happen! The writers throw in a giant, unexpected twist. They wrap something up so much sooner than expected. They kill somebody off that I thought for sure was safe. All which brings me to the edge of my seat, wanting more. Seriously, there is never a dull moment.

These three tips all share a common thread, and it’s this:

Don’t hold back.
Vampire Diaries brings it every time. It’s like watching season finale after season finale. They don’t wait to drop the big stuff until the end. They drop the bomb and find a way to come up with a bigger one.

I guarantee if we find a way to master this skill, we’ll write books readers can’t put down.

Let’s Talk: What writing tips have you learned from television?

P.S. These tips are all things I’ve learned from the show. I’ve never read the books.

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Push!

About two and a half years ago, Brogan was born. We were in the hospital and this kid was coming and I was in some major pain. Ryan’s rubbing my back, like a good husband, trying to ease my discomfort and I remember, clear as day, looking over at him and saying, “Could you please just not touch me?”

So he stops rubbing my back and starts giving me a pep talk. “You’re doing great, Kate. Keep it up. You can do this.” I’m huddled in the fetal position (not recommended by birthing instructors, but it worked for me) and I say, “Could you please just not talk?”

Poor hubby. He stood in the corner and handed me ice chips.

I’m ninety thousand words into my manuscript and instead of typing more words this morning, I’m avoiding. Because there’s this scene I need to write and I have no idea how to write it. It’s high emotion. My main character is beyond distraught, verging on hysterical. All the while, she’s trying to make this decision and to make matters worse (for me, not her) – the scene involves technology. And I know next to nothing about technology.

So basically, I’m majorly intimidated.

I keep typing a few sentences. Deleting them. Type. Delete. Type. Delete. Pull out hair. Type some more.

And the most frustrating part of all is that I know, once I get this scene written, the rest of the words will flow right out.

Sort of like when you’re in labor.

The hardest part is delivering the baby’s head. Push. Push. Push. Impossible. Impossible. Impossible. But once that head comes out, man. The rest of the body is a piece of cake.

So, this post is mostly for me right now. Because I’m in big-time need of a pep talk. I’m convinced this dang baby is never going to come out and I need somebody to squeeze my hand and tell me, “You’re doing great. Just a little bit further. You’re almost there. Now dang it Katie, push!” Only this time I’m not going to make anyone stand in the corner in silence.

Three tips for writers who are closing in on The End:

Visualize. Close your eyes and picture the scene unfolding like a movie. Take some time to work it out in your head first. Let yourself feel the emotion of the character.

Focus. Focus on the goal. Focus on The End. Focus on the satisfaction of saying, “I did it!” I birthed another novel. It is quite a feeling. Breathe in focus. Breathe out anxiety. You can do this. Others have done it before you. Heck, you’ve even done it before. It is not impossible.

Push. Push past the fear. It’s there. That feeling of, “What if I seriously cannot do this?” But don’t let that stop you from pushing. It’s going to be messy. It’s not going to be pretty. That’s okay. It’s not supposed to be. You can go back and clean it up later. Just bear down and write.

Visualize. Focus. Push. You can do it.

Let’s Talk: Where are you in the writing process right now? Plotting? Starting a rough draft? Ending one? Editing? What kinds of things do you do to push through to the end?removetweetmeme

First Lines

I have to take a minute and brag on my 5th graders, especially since I won’t be able to next year.

My students all wrote fiction stories and we’ve been revising in class. Lately, we’ve talked a lot about the importance of an engaging first line. I read them a bunch of first lines from books 5th graders like (or don’t) and we critiqued them together. Then we answered this question:

What do all good first lines have in common?

Their answer?

They pull the reader into the story by raising a question. 

I don’t know about you, but I think that’s a pretty awesome answer. The kids took that bit of advice and rolled with it. They gave me permission to publish some on my blog.

So without further ado…..first lines from America’s next generation of writers:

Many times, stories have characters and characters have goals. Most of the time, characters will reach these goals no matter what stands in their way. But I am different. I didn’t reach my goal. I chose not to. And it all paid off.

-Maggie/10 years old

If you think going to school on your birthday, having a really hard test in every subject, and losing a basketball game 52-2 is a bad day, think again.
-Gretchen/11 years old

I never thought I’d miss a day of school to fall off a bridge, go to another world, meet a queen, find a bird-horse, see my dad again, and live to see the next day. But I did.
-Breanna/11 years old

“Is he going to die?” asked Wendy.

-Claire/11 years old
It was a beautiful afternoon, with the sun glistening in the robin’s-egg blue sky. Birds twittered in the treetops and a gentle breeze rustled the green leaves. It was a day too gorgeous for what was going to happen.
-Caroline/11 years old

Before it happened, I always thought the Switch House was just a fairy tale.

-Isabelle/11 years old

Vandalism. Robberies. I’ve witnessed them all. But nothing could have prepared me for this.

-Ashy/10 years old

Let’s Talk: How would you answer that question? What makes a first good line?removetweetmeme