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Are You Growing?

One of my prayers when it comes to writing – a prayer that has not changed – is for growth. That I will never grow stagnant or complacent. That each book will be an improvement. That I will continue to learn about the craft of writing.

As I move along on this writing journey, I’ve thought a lot about this concept. Growth. And I came up with three tips to help me along, to stay on track. I thought I might share them here:

Look for an upward trend.
We need to “see the forest through the trees”. I have to do this all the time when I assess my students. Sure. They may waver a few points up or down. But is their overall pattern moving up? Sometimes, growth comes in spurts. Like the summer I spent devouring craft books. Having not read any prior, I grew like a fertilized weed. But other times, we might come across a plateau. We need to see past those moments and look at the overall picture. Reflect. Think about this time last year. Are you growing as a writer? If not, what can you do about it?

For maximum growth, be intentional.
I wrote my first novel six years ago. A year or so later, I wrote my second novel. Naturally, my second novel was better than my first. I’d grown. But it wasn’t until I spent a summer reading every craft book known to man, paying for professional critiques, and reading industry blogs that my growth skyrocketed. It’s no coincidence that my third novel, the one I wrote that summer, is the one that got me an agent and a contract.

Sure, growth might happen naturally. Without thinking. Simply by writing and reading books. But the best kind of growth happens when we are intentional. When we set growth goals. When we reflect on where we were last week, last month, last year, in the beginning. When we reflect on where we want to be next week, next month, next year, in the end.

How we grow changes as we grow.
At first, with every craft book I read my brain whirred with new information. I experienced phenomenal growth. But somewhere along the line, those books stopped having the same effect. It’s not that I never read them anymore or that I don’t learn something when I do. It just means they don’t produce the same amount of growth they once did. If I want to maintain my upward trend, I have to look elsewhere.

Right now, I’m taking an online class with Margie Lawson, learning stuff I’ve never even heard of before. I’m also reading We are Not Alone: A Writers Guide to Social Media by Kristen Lamb, and although the book isn’t about the craft of writing, it’s helping me grow as an effective author. My brain is whirring all over again – both from the class and the book. I’m sure more brain-whirring will commence when I get content edits from my in-house editor.

The point is, if we find ourselves standing on a plateau, maybe our old ways of growing aren’t as effective anymore. Maybe we need to try something new.

So what are some ways writers can grow?
– craft books
– reading informative blogs
– taking online classes
– attending a writer’s conference
– attending writer’s workshops
– paying for a professional critique or edit
– entering contests
– joining a critique group
– reading and studying high-quality fiction
– putting what we learn into practice as we write more books

Let’s Talk: Do you reflect on your growth? Are you intentional about it? Are you seeing an upward trend? What’s helped you grow the most? If it’s a craft book, which one? What next steps do you have to take to stretch yourself further?removetweetmeme

My Revision Process

I have an editing system. A procedure I go through whenever I finish a rough draft. As a teacher, I’m a big fan of procedures. They make me feel cradled, secure. And since I recently typed The End on another novel, I’ll be following the procedure once again. 

Here’s what it looks like, in case you don’t have one and would like to borrow mine:

Katie’s 6-Step Editing System
Step 1: Let it cool. 
I fly through the rough draft as fast as my fingers allow. Which turns my brain into an overheated engine. I need a week or two to de-steam before I start up again.

Step 2: Big Edits (otherwise known as the content or macro edit)
I print off a hard copy and get out a red pen. The hard copy slays the temptation to line edit and the red pen is easy to see. While reading, I take notes on big story things in the margins. Like pacing, redundancies, inconsistencies, plot holes, GMCs, tension, character arcs, scenes I need to add, scenes I need to delete, and the spiritual thread.

Step 3: Deep Edits 
I’m currently taking an online class with Margie Lawson called Deep Editing, which I highly recommend for anyone who wants to take their writing to the next level. During this step, I print out a second hard copy and use Margie’s highlighting system to see how my story balances description, setting, dialogue, internalization, visceral response, action, and tension. I look for alarming patterns and change what needs changing.

Step 4: Line Edits
Call me crazy, but this step is my favorite. Maybe because, by the time I finally get here, I feel like the hard work is behind me. Now I get to play. Now I get to tinker. Whatever the reason, I love line edits. I love searching for just the right phrase. I love nixing the pet words and the unnecessary words. I love exchanging the cliches for something fresh. I love infusing tension on every page. And I love replacing passive verbs with active ones. This is where I cull through every sentence and make sure it counts. 

Step 5: Read Aloud
I usually give myself another break before diving into step five – usually another week or so. After the distance, I come back and read the whole thing out loud from my computer screen. I get a feel for the cadence. The voice. The rhythm. If something sounds awkward or rambling or rushed, I make changes. I also look for grammatical errors. 
Step 6: Critique Partners
I send the manuscript off to my critique partners. In a week or so, I get back more content and line edits. I make changes. Then send it off to my agent and pray my procedure paid off.

It’s quite a process. And it takes a while. Probably as long as it takes me to write the rough draft. But it’s definitely worth it.

There’s a crazy difference between my rough draft and the draft I send to my agent. In fact, I’ve given my husband specific directions, that if ever I should die, he is to promptly delete any rough drafts on my computer. If any eyes other than mine saw one, I’d be horrified.

Let’s Talk: What’s your editing/revising process like? If you’ve worked with a professional editor (whether in-house or freelance), has that changed the way you edit? Do you like editing/revising?

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One Rule to Rule Them All

There are lots of rules when it comes to writing.

No head hopping. Avoid passive sentence structure. No cliches. Show, don’t tell. Write using scene and sequel. Make sure your scenes have GMCs. Write tight. Be specific. Don’t use a prologue. Or if you do, make sure it’s done in the correct way.

Et Cetera.

Et Cetera.

Et Cetera.

Yet, we pick up books – published books – and we see the rules broken. And we scratch our heads because we don’t break the rules.

Do you know in The Help, a best-selling novel by Kathryn Stockett, there is a scene completely told in objective point of view? The story’s told from three different perspectives, all in first-person point of view. Each of the three voices fleshed out in a way that spins my head, it’s that good. And then, all of a sudden, out of nowhere, there’s this one scene.

This one scene that reads like a newspaper article. A detached telling of the events. As if the reader were hovering above the party observing the goings-on of each character. Unattached.

Kathryn Stockett broke a rule.

And it completely, one hundred percent works.

I remember laying in bed, reading that scene, crazy impressed because of how well it works. And I remember thinking….

Kathryn Stockett gets it. She understands that amongst the lot of rules hemming us writers in, there is only one that should never ever be broken. There is only one we should vow to live by. And it’s this.

Do what works.

Three simple words.

Do what works.

It’s a rule that overrides all the others. It’s a rule that lets us break all the others. It’s a rule that helps us understand all the others.

Because, usually, following the rules is what works best.

But not always.

So the next time you’re stuck, wondering if you should prologue or not. Wondering if you should tell or not. Wondering if you should throw in a random point of view or not. Ask yourself this one question:

Does it work?

And if the answer is yes, go for it.

Let’s Talk: How much of a rule-follower are you when it comes to writing? When it comes to life? Is there one rule you live by?removetweetmeme