The Benefits of a Conference from Somebody Who Benefited

So the story continues, and like I said, the doorway out of Act 1 crept closer. I don’t think I would have reached it without going to a writing conference. To read my journey up to this point, check out My Writing Journey: Part One, and My Writing Journey: Part Two.

So what did the conference do for me, exactly?
It picked me up out of the slow lane and plunked me on the fast-track toward representation. Here’s the thing. Agents get about a bazillion queries a month. I imagine they all start to sound pretty much the same once they hit the triple digits.

Here’s how the ACFW conference benefited me:
– I met Rachelle face-to-face. I sat down with her and showed her a sample of my writing. She gave me some very helpful, specific tips for improving my manuscript. Would she have had the time to email me these tips had I been one more proposal in her inbox? Probably not.

– She told me to polish it up. Go through one more draft. Then send her the full. Would she have been so patient via email? Not sure. Either way, my chances of getting a rejection at that point would have been high.

– I met with an editor face-to-face. She asked to see a sample of my writing, liked what she saw, and asked for the proposal and six chapters. Would I have had this opportunity without going to a conference? Definitely not.

– I was able to tell Rachelle during our appointment that an editor had expressed interest in my work. I have to believe this helped.

– When I left Denver, Rachelle knew my name. She knew my face. She knew an editor liked my writing. I wasn’t query #349023845. I was a writer who invested money and time into a conference. Evidence that I’m serious about this writing thing.

So, what will a conference do for you?
That’s hard to answer. Because really, it all depends.

Here are some questions to consider:
Have you spent a considerable amount of time honing your craft?
Do you have a story you are proud and confident and dying to show an agent/editor?
Do you find yourself thinking, “If I could just get somebody to take a look at this dang thing, I know they’d like it”?
Have you gotten objective, positive feedback on your writing?

If you can answer yes to these questions, then a writing conference might be just the ticket you need to catapult your quest for representation into super sonic speed (or at least somewhere out of slow motion).

Disclaimer: I’m a strong believer in timing. Even if you can answer yes to all these questions (and I know people who can!). Even if you’ve been to several conferences with polished, stellar writing. Sometimes, for whatever reason, the timing isn’t right. Don’t let this discourage you! Think of all the connections you are making. Think of all the stuff you are learning. It will all be worth it in the end, when the timing comes together like a perfectly played chord in the midst of a song.

But what if you can’t answer yes? What if you just aren’t at that place yet? Is a conference still worth the time and money?

YES!

If going to one won’t put your family on bread and water for the next several months, then I strongly suggest finding a conference to attend. They are a wealth of information. A wealth of connections. A wealth of encouragement, inspiration, and excitement. And of course, a wealth of friends. One of the best parts of the conference was meeting so many of you.

I’m already exited for next year’s ACFW conference in Indianapolis!

So now I’m entering Act Two of my writing journey and I have no idea what’s in store. Representation does not equal publication. All the answers don’t just magically fall into place on this side of representation. There’s a lot of work to do. So much more to learn. So many more stories to write. God’s done amazing things in my life this past year and I’m eager to see what He’s got planned for the future.

Questions to Ponder: Have you gone to a writing conference? Was it worth the time and money? If you haven’t gone, why not?removetweetmeme

Raising the Stakes

How do you do it?
Simple, think about your story’s central conflict. Now come up with as many reasons as you can that make this conflict worse. Do not censor yourself. Write an exhaustive list. When you think you’ve gone as far as you can, go further. Think disastrously bad.

Are you finished?

Pick as many of these ideas as possible and weave them into your plot.

Why do we do this?
We want to write a story with increasing amounts of tension. We want to write a story where the problem gets worse and worse until it seems hopeless. Remember what Dwight Swain said? A good story builds tension. And a good ending releases that tension. The higher the tension, the more satisfying the release at the end.

Question to Ponder: Have there been times in your life when tension escalated to a maddening level?

I remember being late for one of my first days for this receptionist job I got in Madison. And wouldn’t you know it, I got a flat tire. I about lost it. Who am I kidding? I did lose it.removetweetmeme

Character Tags

What is a tag?
It’s a label you slap on your character to make him/her identifiable to your reader.

Tag Categories:
1. Appearance
2. Speech
3. Mannerisms
4. Attitude

Appearance: A tall, broad shouldered man leaves a much different impression than a frail, hunched-over man. Well-dressed vs. sloppy. Manicured fingernails vs. callused palms. Appearance says a lot about your character.

Speech: Does he have an accent? Does she talk fast, without taking any breaths? Does he stutter? Does she use verbose vocabulary or does she stick with monosyllables? How a person talks says a lot about his or her background, level of education, career, and social status. Pay careful attention to the speech tags you give your characters.

Mannerisms: nail-biter, hair twirler, fidgeter, lip licker, eye-batter…the list could go on and on. Be careful to avoid cliche mannerisms. Get creative here. My favorite is by Jill Kemerer, who has this awesome post about a character who picks the same scab on her arm over and over again.

Attitude: AKA Traits. punctual, bitter, energetic, flirtatious, competitive….

The purpose of tags:
1. To distinguish one character from another
2. To characterize

If a woman is flirtatious, show it via tags. Does she bat her eyes at men? Bite her lower lip in order to draw attention to its fullness? Does she touch men on the shoulder or forearm when it’s not necessary? If a man is high-strung, does he pace? Does he mess up his hair when he’s stressed? Is he a chain-smoker who holds his cigarettes with trembling fingers?

That’s basically it about tags. Thus ends my series from Dwight Swain’s book, Techniques of the Selling Writer. Sad, right? I hope they were helpful! I highly recommend the book. It’s wordy, for sure. But chalk-full of insightful information.

Question to Ponder: What tags do you give your characters?removetweetmeme