7 Tips for Landing a Book Contract

After signing the contract, I spent some time reflecting – trying to figure out what worked. How did I get here? I came up with a list of things that I believe helped. Hope they help you – wherever you may be on your journey.

Pursue learning. I wrote my first two novels not knowing much about anything and got a whole lot of rejections. It wasn’t until I spent a summer devouring every writing book in sight that my writing turned a corner. I highlighted. I took notes. I wrote blog posts about what I learned. I paid for professional critiques. I found two very amazing critique partners. I entered contests. I listened to feedback.

Persevere. I didn’t give up when I got rejected. I determined at the start that I wanted to be published by a traditional publisher—one that would actually pay me—and I didn’t let rejections influence my determination.

Keep writing. We submitted my book in the fall of 2009. By the time it went to pub board almost a year later, I’d written two more novels. My editor was able to bring not one, but three books to pub board. She was able to show the committee that I wouldn’t be a one-book wonder. She was able to show them that I know how to write novels.

Surround yourself with supportive people. This business is hard. You meet a lot of people who don’t get it. A lot of people who get it, but don’t like your work. Having some encouragers in your corner is vital. I am blessed with three amazing friends who are my biggest fans (hi Erin, Susan, and Melissa!) These girls believed in me when I couldn’t and spurred me on with their encouragement.

Keep a journal. All those times I wanted to rant and rail against the publishing industry? I did it in my journal. My safe, private journal. Ranting online would not have helped my cause.

Go to writing conferences. Not for learning, because you can save yourself a ton of money and get the bulk of that from books and blogs. But go for networking. Go when your writing is ready. I got face-to-face time with my editor and agent at the 2009 ACFW conference and landed my agent two months later. I got more face-to-face time with the same editor at the 2010 ACFW conference and landed a book contract two months later. I can say with complete confidence that I would not be where I’m at today if I wouldn’t have gone.

Hold out for a reputable agent. I know this is a hard one to control—especially when you just want an agent already. But I’ve heard it said a bad agent is worse than no agent, and I believe this 100%. Rachelle is well-respected within the industry and she goes to bat for her clients. Without her determination and follow-through, I wouldn’t have Waterbrook Multnomah as my publisher.

Of course, there’s a caveat. A big BUT at the end of this list. Something I think is important to understand.

You can do every single one of these things, and still find yourself waiting, because so much of it is out of your control.

You might be an amazing writer – but the agent you want has a full roster, or too many clients who write books similar to yours. You might have an awesome agent and solid work to submit – but your genre just isn’t selling right now.

So much of this comes down to….timing. Everything lining up just so. Some luck. And God. I like to think God.

Here’s the good news: If you’ve got the talent, the passion, and the right attitude, your time will come. Work hard. Persevere. Keep writing. Believe in yourself.

Let’s Talk: Do you have anything else to add to the list? Are there any you disagree with? Any you struggle with? What has helped you the most on your journey?

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Writing the Story Premise

What is a story premise?
A story premise answers the question: What is my story about? And does so as succinctly as possible.

Why is a premise important?
It focuses your story.

How do you write one?
Let me introduce you to my good buddy Dwight Swain. Can I just say that Techniques of the Selling Writer is one of my all time favorite craft books? Some people say it’s a laborious read. I say the labor is well worth it.

According to Dwight, a story premise has five elements:

  • Character
  • Situation (what’s the backdrop of trouble that forces character to act?)
  • Objective (character’s story goal)
  • Opponent (no opponent = no conflict = no story)
  • Disaster (the unutterably awful thing that could happen)

You should do your best to make each of these elements as specific and concrete as possible, and put them together to form two sentences. No more. No less.

Sentence 1: A statement that establishes character, situation, and objective

Sentence 2: A question that pinpoints the opponent and disaster.

There is wide-spread debate over whether or not to put a question in your premise. You decide if you want to make the second sentence a question or not.

Let’s look at the Wizard of Oz.

  • Character: Dorothy
  • Situation: tornado brings her to Oz
  • Objective: get to the Wizard of Oz so she go home
  • Opponent: the wicked witch of the west, who wants her ruby slippers
  • Disaster: never going home

Sentence 1: When a tornado drops her house in the middle of a strange world (situation), a teenage girl named Dorothy (character) must find her way to Oz so she can talk the wizard into sending her home (objective).

Sentence 2: But will the wicked witch of the west, who wants Dorothy’s magic slippers (opponent), stop her from ever seeing home again (disaster)?

Put it together and you get the premise of Wizard of Oz:

When a tornado drops her house in the middle of a strange world, a teenage girl named Dorothy must find her way to Oz so she can talk the wizard into sending her home. But will the Wicked Witch of the West, who wants Dorothy’s magic slippers, stop her from ever seeing home again?

Here’s an example from one of my novels:

  • Character: widowed mother, Robin Price
  • Situation: neighboring businesses are struggling and so is her cafe
  • Goal: keep her husband’s memory alive through the walls of her cafe
  • Opponent: handsome project manager who wants to buy her out
  • Disaster: losing everything she’s held on to since her husband died

Premise: Even though business isn’t doing well, widowed mother, Robin Price, is determined to keep her husband’s memory alive through the walls of her cafe. But when a handsome and charming businessman comes to town with plans to buy her out, will Robin lose everything she’s held on to since her husband’s death?

Question to Ponder: Have you ever written a premise? What do you include? Do you follow Swain’s formula, or do you have one of your own? If you have any tips, please share them here!

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A Synopsis Template

Take my 100,000-word novel and condense it into a few pages? No thank you. It feels like I’m taking a brand new outfit and dicing it up until only the buttons and a string of fabric remains.

Despite my lack of love for the synopsis, every novelist who writes for publication needs to know how to write one, and how to write one well.

Over the past few weeks, I’ve been spinning two potential story ideas through my brain. In order to flesh them out, I decided I would write the premise, back cover blurb, and a synopsis for each of the two ideas. I was floundering with my first synopsis. Until last week.

Stories have structure. At least they should. So I took a hodgepodge of structure points from Jim Bell’s book, Plot and Structure, Susan May Warren and Rachel Hauck’s blog, My Book Therapy, and Dwight Swain’s book, Techniques for the Selling Writer, and used these points to create a synopsis template.

After I created the template, writing the synopsis got a whole lot easier.

Here it is, for you to use if you’d like. Keep in mind, I write romance. Also keep in mind, that while every story has a structure, it is not this rigid thing. You’re allowed to move around the paragraphs to best fit your story. I find that paragraphs nine through eleven are particularly fluid.

Synopsis Template for Romance:

First paragraph:
Introduce the heroine (include the lie she believes, her greatest fear, and/or her greatest dream) and her disturbance. What event interrupts the status quo of her normal life?

Second paragraph:
Introduce the hero (include the lie he believes, his greatest fear, and/or his greatest dream) and his disturbance. What event interrupts the status quo of his normal life?

Third paragraph:
The first doorway. What hurls hero and heroine into the story to the point where they can’t turn back?

Fourth paragraph:
Heroine’s statement of story goal and her motivation for the goal

Fifth paragraph:
Hero’s statement of story goal and his motivation for the goal

Sixth paragraph:
Turning point. How do things get worse and how does the goal matter even more for hero or heroine?

Seventh paragraph:
Another turning point. How do things get even worse and how does the goal matter even more for the hero or heroine?

Eighth paragraph:
Second doorway. What is the catalyst that hurls hero and heroine into their black moments?

Ninth paragraph:
Heroine’s black moment and epiphany. The point where the lie she believes is overwhelming, her biggest fear comes true, which leads to her discovery of the truth (freedom from the lie).

Tenth paragraph:
Hero’s black moment and epiphany. The point where the lie he believes is overwhelming, his biggest fear comes true, which leads to his discovery of the truth (freedom from the lie).

Eleventh paragraph:
The climax. What situation will force hero or heroine to choose between two concrete, alternative, irrevocable courses of action? One way leads to hero or heroine accomplishing his/her goal. The other leads to hero or heroine sacrificing goal for the sake of love and/or principle.

Twelfth paragraph:
The Resolution. What results because of the hero or heroine’s choice? Since I write romance, this typically involves a kiss and a profession of love.

And there you have it. Twelve paragraphs to sum up an entire novel. I hope you find it useful!

Questions to Ponder: How do you feel about writing synopses? Do you write them before your write the novel or after? What’s the best tip you’ve ever received when it comes to writing one?removetweetmeme