Disaster Planning for Writers

At school we practice certain drills twice a year. Each one has its own set of procedures. That way, if disaster strikes, we won’t panic. We’ll know what to do. Because we have a game plan.

Disaster plans are good. They give us a sense of purpose and control when things turn nasty.
As writers, we should have a disaster plan.
Because when things go wrong, we don’t want to panic.
Which is precisely what I did this past month. My story stopped cooperating. I hit a wall. And spent a week pulling out my hair, intermittently staring at my document and the trash can on my desk top.
The only thing that kept me from clicking and dragging? A deep-down, in-my-gut feeling. That if I could just fix the broken parts, this story could be great.
So I tied a gag around my anxiety. I assured myself that the first five novels weren’t a drawn out case of beginner’s luck. And I drew up my own personalized disaster plan.
First, I assessed the situation. How did I get into this mess? I’m not a pantser at all. I’m an OCD plotter. But for whatever reason, this time around, I thought my rough outline would be enough. I had the basic plot elements down. I could just start writing, right? Wrong. I got halfway through and the tires started spinning.

Second, I stepped away from my computer and broke out the note cards. I wrote random scenes as fast as I could on each one. Whatever popped into my head. The crazier the better. Then I looked for ways to connect them. My creative juices started flowing. Scenes came together. Unexpected twists and turns jumped out at me. Until I had a beginning, middle, and end.
Then, on the back of each card, I wrote: (1) if it was a scene or sequel and (2) the GMC (goal, motivation, conflict) for the scenes or the RDD (reaction, dilemma, decision) for the sequels. If you’re not familiar with these terms, you should be. Consider reading this post for a basic overview: Story Structure: Scene and Sequel.
It took a long time. I lost some hair and some sleep. But the disaster plan worked.
My novel is no longer a mess. I don’t care that I have to cut a big chunk of the 50K words I have written. I don’t even care that whatever remains needs rewriting. I have another novel. It’s all there. On 74 note cards. 39 pink. 35 blue. The hard part is finished. Now I just have to write it.
And if I run into another crisis in the future, I won’t waste a week of my life freaking out. I can whip out my disaster plan and get to work.
So what about you? Do you have a disaster plan? If not, here are some tips to help you create one:
  • Stay true to the way God made you. Don’t try to be a plotter if you’re a panster and don’t try to be a panster if you’re a plotter. Trust me. It doesn’t end well.
  • Know what sparks your creativity and problem-solving skills. Do you need to get away from your computer and find an old-fashioned pencil? Do you need note cards? A writing buddy to brainstorm with? Do you simply need to write through the disaster?
  • Include specific action points. This will give you a sense of control in the midst of the chaos.
Let’s Talk: What do you do when your story stops working? What does your disaster plan look like? Have you ever had to use it?

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Would You Slow Down?

I’m in this weird, slightly unfamiliar place right now.

Even though I didn’t have deadlines pre book deal, I did have this drive to write fast. This inner urge to pound out the words, because the more stories I could write, the more I would learn, the better each novel would get, and the higher my chances for publication. I’m not sure if my reasoning was logical, but it was there. A sense of urgency.

Usually, we read about authors getting contracts and struggling with the new and added stress of deadlines. We hear about how much busier life gets once a person gets a book deal.

But I’m learning this isn’t always the case.

At least not for me.

I signed a two-book deal and both books are written. I have a third that is ready to go, but will have to sit tight until we’re allowed to submit it. There is absolutely no hurry for me to pound out the words. The pressure is off. Sweet bliss, right?

I don’t know. I’m kind of weirded out by it.

Tana asked: Do you find yourself writing more slowly now that you know how long the process takes? Have you cut back on your word count? Do you savor the storyline more?

Even though there’s no hurry to finish my current WIP, even though I can’t submit it anytime soon, I’m still determined to maintain my pacing of roughly 2 books a year.

Why?

Because. I’m paranoid. If I slow down, won’t I get out of shape? What if I lose my ability to pound out the wordage? What if my stories become a hot commodity (hey, a girl can dream) and my publisher wants more, but I don’t know how to write fast anymore?

This all leads to my recent dilemma: I’m having issues with my WIP. Big issues. Thankfully, they’re fixable. Not-so-thankfully, they involve scratching a big chunk of the 50K I have written. Herein lies the dilemma. I could force myself to plow through the rough draft. Get the story out. Fix it later. Or. I could pause. Figure it out now. Save myself from a whole lotta sloppy further down the road.

I’ve already made my decision and I won’t lie. It makes me nervous. But it’s also led to an epiphany: Sometimes, a person has to step back if they are going to move forward.

Let’s Talk: What would you do? Do you take your time through the writing process or do you feel a sense of urgency to pound out the words? If you didn’t have any reason to keep writing so fast, would you slow down? Do you think we can get out of shape when it comes to writing fast?

Because of Parent Teacher conferences next week, I won’t be blogging. See you on March 7th!

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Celebrate

“Celebrations aren’t limited to agent representations or book contracts. Celebrate those milestones along the way.”

Author, Lisa Jordan, wrote this in a very encouraging blog post last Friday.

Her words really resonated with me. I mean, really-really.
Because there are so many things to celebrate as we travel this crazy journey, yet we tend to downplay them. So many things that are just as important and just as beautiful as getting a call from an agent, or signing a book contract.

Pursuing publication is not for the faint of heart. It’s a long and often arduous road, filled with doubt, unmet expectations, rejection, and waiting. And because of that, we can’t afford to skip over any of the celebration.

So celebrate.

When you type the first page of a story? Celebrate! You just began an amazing, amazing journey that will build your character in ways you can’t even begin to imagine.
When you put your fingers on the keypad and pound out a thousand words? Celebrate! Keeping that butt in the chair takes an extraordinary amount of discipline and perseverance – two qualities that every published author needs.

When you finish that first novel? Celebrate! You just did what thousands of people only aspire to do. You wrote a book. You. Are a writer.

When a new story idea sparks? Celebrate! You just unearthed a hidden treasure.

When you send out a query letter? Celebrate! Putting yourself out there is an incredibly scary step, but you took it anyway.

When you receive your first (or second, or third, or….well, you get the idea) rejection. Celebrate! Each one means you are in it. Each one is proof that you are serious about publication. Each one brings you that much closer to a YES.

When somebody tells you that your words touched them? Celebrate! Because you are a Voice and your voice makes a difference.

When you enter a contest or submit a short story? Celebrate! You are taking active steps toward your goals.

When you write, day after day, through the doubt, through the fear, through the not-yet-realized dreams? Oh my goodness, celebrate! Because God, the Creator of the universe, in all His majesty and power, knitted you together with a gift. A passion. And He’s got a plan for your words.

So celebrate, my friend.

What you do matters. Agented or not. Published or not. It matters.

Let’s Talk: What things have you celebrated on your journey?

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