Beautiful Things

Dust.

We see it and wrinkle our nose. We see it and grab a rag. Sweep it away. Suck it into our vacuums. Make it disappear.

Because dust means dirt. Dust means allergies. Dust means neglect. And we want those things to go away.

The title of this post is the title of a song. Have you listened to it? It’s called Beautiful Things, by Gungor.

The chorus goes like this:
You make beautiful things. You make beautiful things out of the dust. You make beautiful things. You make beautiful things out of us.

I’m obsessed with it. The melody is beautiful. The words, even more so.

But mostly, I’m obsessed with it because I want this truth to saturate my stories. Each and every one. The breath-taking, awe-inspiring, mind-blowing truth that Christ can make beautiful things out of the dust.

He redeems the utterly broken. Breathes new life into the forgotten.

I recently got the content edits for my contracted novel, Beneath a Velvet Sky. In case you’re not a writer, content edits are the first of many edits authors go through when they work with a publishing house. These are the big, comprehensive edits. One of the questions my editor asked had to do with my main character’s career.

Bethany is an architect.

My editor wanted to know why. She wants my readers to know why, too.

Because I didn’t choose this career for her randomly. I didn’t throw a bunch of jobs in a hat and pluck out architect. I had a reason.

Bethany wants to design big and beautiful things. She wants to associate herself with grandeur. She wants to put her name on impressive creations. To be able to point to them and say, “See that over there? I made that.”

Only she’s stuck in renovations, and renovating old buildings isn’t what she had in mind when she signed up to be an architect.

This isn’t random either.

Because God wants to show Bethany something. He wants to show her how much renovation matters to Him. He wants to show her that He’s in the business of renovation too.

He wants to show her that He can take the filthy, neglected, unbeautiful things of this world and make them beautiful. Make them new.

Like a situation.

Or a heart.

Or a life.

He renovates them every single day. Every single hour.

He wants to renovate hers.

He wants to renovate ours.

Then the Lord God formed a man from the dust of the ground and breathed into his nostrils the breath of life, and the man became a living being.

Genesis 2:7

Let’s Talk: Have you witnessed God’s renovation? In what ways has He renovated you?

*Picture by Mat and Raviremovetweetmeme

Tension or Frustration?

There was this book I read recently that made me all kinds of frustrated. My inner growl came out. I found myself skimming through the last third of the story, rolling my eyes, muttering things like, “Come on, already!”

Which got me thinking.

As writers, we talk a lot about the importance of tension. Heck, Donald Maass says we better have it on every single page. So the question begs to be asked.

What’s the difference between tension and frustration?

Is there one?

When I think of frustrating books, two titles come to mind. Both are best-sellers.

Harry Potter and the Deathly Hallows

New Moon (the second book in the Twilight series)

These books frustrated me for the same reason. Which involved the disappearance of a beloved character for a much-too-big chunk of the story.

Yet they are incredibly popular novels and much-loved by readers. Including me. So is frustration a mute point? Should we go for it?

I don’t know….

Frustration has to be one of the most annoying emotions. And I’m not sure annoyance is something we should ever aspire to do to our readers.

Tension. Good.

Frustration. Not so good.

The first brings readers to the edge of their seats. The second makes them want to light the book on fire.

So how do we embrace the first and avoid the second?
 
Avoid drawing things out for an eternity.
Yes, we want to prolong tension. But not to the point of frustration. Sometimes, best practice involves giving the reader what they want, then hooking them with something else. 
 
Keep popular characters in the story.
Don’t make a beloved character disappear for too long. Unless absolutely necessary. But even then, you risk the wrath of your reader. 
 
Sprinkle in moments of gratification.
Sure, maybe you can’t have your hero and heroine get together until the end, but that doesn’t mean you can’t throw in some chemistry-laden tender moments between the two. There needs to be a positive correlation between frustrating moments and gratifying ones. The more frustrating a novel may be, the more gratifying moments we better include.
 
Make the ending uber satisfying.
And I do mean uber. Like ultra uber. Especially, especially, especially if our stories lend themselves to frustration. The more frustrating a novel, the more satisfying the ending better be. Because even if we frustrate our readers, they will forgive us anything in the world if we satisfy the heck out of them at the end. Just like I forgave Stephanie Meyer the minute Bella hurled through the crowded square of Volterra and catapulted herself into Edward’s stone-cold arms.
 
The book I brought up in the beginning? The ending wasn’t as satisfying as it needed to be to soothe my frustrated nerves. So it left a bad taste in my mouth. Despite the good writing and character development.
 
When I think of a team of writers who have figured out this whole tension/frustration dichotomy, my mind automatically jumps to Vampire Diaries. They are experts in magnifying the tension without causing frustration. Which is why I love the show so very much. I even wrote a post about it: Tips from Television.   
 
Let’s Talk: What do you say about frustration? Is it okay to frustrate readers? Is there a book that frustrated the heck out of you, but you still love it to pieces?

*Photo by Ellie Goff

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How Do You Like Your Heroes?

Dark and brooding? Flirtatious and carefree? Athletic? Artistic? The best friend turned romantic interest? The mysterious stranger with ice cold skin?

When you’re reading or watching a romance, what kind of hero makes your heart flutter? What kind of hero makes you root for the not-yet couple to fall in love?
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Since I write romance, this question intrigues me.  And as I was thinking about it, four incredibly popular heroes popped into my head.

Noah Calhoun from The Notebook. Jack Dawson from Titanic. Mr. Darcy from Pride and Prejudice. And Edward Cullen from Twilight


These four heroes fall into two distinct categories. 


On one side we have Noah and Jack. Working class. Down-to-earth. Flirtatious. Untethered and carefree. One loves poetry. The other is an artist.
On the other side, we have Edward and Fitzwilliam Darcy. Rich. Untouchable. Mysterious. Brooding (for Edward, let’s skip brooding and go straight to tortured). The opposite of carefree.
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Millions of women have fallen in love with these four. Each one makes us root for the happily-ever-after.
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Yet they are incredibly different.  
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It’s almost impossible to find a common ground.
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Except for one thing.
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It’s not so much who they are as how they love. And one thing is certain. These guys love their women.
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They love them to the extent that all other women disappear. They love them to the extent that they would die for them. Suffer for eternity without them. 
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And that…..well that is just incredibly romantic.

Let’s Talk: Who is your favorite all-time hero in a romance (movie or book or even show)? Why is he your favorite? What quality does a hero need to have for you to fall in love with him? removetweetmeme